German painter (b. 1708, Reutte, d. 1783, Reutte)
Austrian painter. Trained initially by his father, Paul Zeiller (1658-1738), he subsequently studied in Italy (1723-32) with Sebastiano Conca and at the Accademia di S Luca in Rome, and with Francesco Solimena in Naples, then at the Kaiserliche Akademie in Vienna. From 1733 to 1743 he was a regular collaborator on Paul Troger's frescoes, contributing mainly architectural frameworks painted in the style of the Bolognese quadraturisti. He retained such frameworks in his own paintings throughout his life, even in south Germany where this was generally unusual. Troger's influence on the style of Zeiller's figures and on his iconographic repertory was such that his first independent works in Austria Related Paintings of ZEILLER, Jakob Johann :. | Allegorie des Reichtums | Forest | Portrait of elisabeth-Therese de Lorraine | Fantasy based on Goethe's Faust | Portrait of the Artist (mk05) | Related Artists:
Johann Martin Stock(1742 - 1800)
Budapest, Magyar Nemzeti Galeria
manguinHenri Charles Manguin (Paris, 23 March 1874 - Saint-Tropez, 25 September 1949) was a French painter, associated with Les Fauves.
Manguin entered the Ecole des Beaux-Arts to study under Gustave Moreau, as did Matisse and Charles Camoin with whom he became close friends. Like them, Manguin made copies of Renaissance art in the Louvre.
Manguin was very much influenced by impressionism, as is seen in his use of bright pastel hues.
He married in 1899 and made numerous portraits of his wife, Jeanne, and their family. In 1902, Manguin had his first exhibition at the Salon des Independants and d'Automne. Many of his paintings were of Mediterranean landscapes; these represented the height of his career as a Fauve artist.
He traveled extensively with Albert Marquet throughout Southern Europe. In 1949, Manguin left Paris to settle in Saint-Tropez, where he died soon after, on September 25, 1949.
Charles PoersonFrench Painter, 1609-1667
He studied under his own father Charles Poerson (himself a former pupil of Simon Vouet) and under Noël Coypel. His notable works include "Dispute Between Neptune and Minerva" at Chateau de Fontainebleau, "Union of the Academie royale de Paris and the Academy of Saint Luke in Rome" at Versailles and participation in the decoration of the Hotel des Invalides. He was buried in San Luigi dei Francesi, Rome, in a tomb attributed to the sculptor Pierre de L'Estache, who later became another director of the Academy.